{"id":15600,"date":"2026-05-09T19:32:00","date_gmt":"2026-05-09T17:32:00","guid":{"rendered":"https:\/\/artestruttura.it\/?p=15600"},"modified":"2026-06-18T09:21:37","modified_gmt":"2026-06-18T07:21:37","slug":"le-son-de-lart-lecho-de-la-matiere","status":"publish","type":"post","link":"https:\/\/artestruttura.it\/en\/le-son-de-lart-lecho-de-la-matiere\/","title":{"rendered":"LE SON DE L’ART: L’\u00c9CHO DE LA MATI\u00c8RE"},"content":{"rendered":"
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LE SON DE L'ART: L'\u00c9CHO DE LA MATI\u00c8RE<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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9 May \/ 22 November 2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The Biennale Arte 2026<\/strong> designates the theme \"In Minor Keys<\/strong>\" as a space for investigation into submerged narratives. This is the backdrop for the historic participation of the Republic of Guinea<\/strong>, presenting a national pavilion<\/strong> for the first time. Guinea goes well beyond mere exhibiting, and asserts its role in global intercultural dialogue, interpreting a modernity rooted in an ancestral spirituality. \u201cLe Son de l\u2019Art: l\u2019\u00c9cho de la Mati\u00e8re<\/strong>\u201d is the title of the exhibition project staged on the Island of San Servolo<\/strong>, curated by Carlo Stragapede<\/strong> and supported by Commissioner Bilia Bah<\/strong>. It integrates with the theme \"In Minor Keys<\/strong>\" by Biennale curator Koyo Kouoh<\/strong>: the exhibition transforms the silence of the island into a resonance of souls, supported by an organisational structure that guarantees consistency between the institutional message and the protection of Guinean heritage, mediating the transition from ritual codes to the contemporary scene. Between Guinean and European works, the material echoes a nation that, despite navigating postcolonial complexities, projects its dignity towards the future. The pavilion thus becomes an immersive visual diary, where Guinea reveals itself as the steward of a universal memory and the protagonist of an unprecedented cultural rebirth.<\/p>

Institutional Relations and Strategic Development<\/strong>: Minister Moussa Mo\u00efse Sylla<\/strong> (Minister of Culture, Tourism and Handicrafts of Guinea), Mohamed Dioubate<\/strong>, Madame Nene Satourou Diawara<\/strong>, Macka Traor\u00e9<\/strong>, Walter Drescig<\/strong>.<\/p>

General Coordination of the Exhibition<\/strong>: Oldino Cernoia<\/strong>, Giancarlo Caneva<\/strong>, Morgan Caneva<\/strong>, Cesare Augusto Serafino<\/strong>.<\/p>

The project is supported by the de Claricini Dornpacher Foundation<\/strong>; it is organised by Artestruttura<\/strong>, with Zanutta, una casa da vivere<\/strong> as the main sponsor and the participation of Syncretika Arte e Cultura<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\tThe Pavilion of the Republic of Guinea at the 61st International Art Exhibition of the Venice Biennale is designed as an immersive, dual-mode space, conceived to transcend the boundaries of traditional artistic representation. Set against the backdrop of the history-steeped surroundings of the island of San Servolo, the exhibition unfolds in a fluid, undulating movement reminiscent of a melodic flow in minor keys, drawing from the heart of Guinean identity to expand into a wide-ranging intercultural dialogue.\t\t\t<\/p>\n\t\t\t\t\t\t\t

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Artists<\/strong> \/ Francesco Tullio Altan, Paola Arrigoni, Bella Bah, Nino Barone, Rougui Barry, Stefania Basso, Emiliano Bazzanella, Giuliana Bellini, Milena Bellomo, Bluer (Lorenzo Viscidi), Alda B\u00f2scaro, Alessandro Cadamuro, Carmine Calvanese, Carmela Candido, Giancarlo Caneva, Tommaso Cascella, Giancarlo Cazzaniga, Bruno Ceccobelli, Giorgio Celiberti, Giorgio Celiberti Jr, Maurizio Cervellati, Marco Ciani, Massimo Clemente, Bruno Donzelli, Mauro Filigheddu, Mirko Filipuzzi, Pasquale Fraccalvieri, Ferruccio Franz, Carla Galli Morandi, Omar Galliani, Andrea Marco Ghia, Fatoumata Kouyat\u00e9, P\u00e9p\u00e9 Michel Ange Lama, Gianni Maglio, Paolo Marazzi, Rossella Marchesin, Marvin, Enzo Migneco (Togo), Zdravko Mili\u0107, Giampaolo Muliari, Lucia Paese, Bruno Paladin, Giorgio Pastres, Ottavio Pinarello, Giuseppina Pioli, Manuela Pittana, Adriano Piu, Stefano Pizzi, Claudia Raza, Rosaspina, Andrea Rossi Andrea, Marco Nereo Rotelli, Gernot Schmerlaib (BIX), Papa Youssoupha Seck, Cesare e Noah Serafino, Alessio Serpetti, Leo Strozzieri, S\u00e9kou Oumar Thiam, Lucia Tomasi, Angelo Toppazzini, Maurizio Valdemarin, Andrea Vizzini, Luciana Zabarella, Marina Zambon, Tono Zancanaro, Leonardo Zanin<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Republic of Guinea takes part in the Venice Art Biennale for the first time with the exhibition \u201cLe Son de l\u2019Art: l\u2019\u00c9cho de la Mati\u00e8re\u201d. <\/p>","protected":false},"author":1,"featured_media":15551,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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